10-17-2015, 04:53 PM
I agree with some of your points, that's why I'm asking. In particular, I'd like to understand whether that post is the first one mentioning this "turbulence remover" from Canon, or whether there are other information about the tool.
True, there were no explicit claims it was real time - but also they are not saying that the whole 250MP are processed, honestly it wouldn't make any sense for a video. The feature they were demonstrating makes sense with a previous comment that I read when the 250MP camera was announced, about the possibility of using it as a super electronic zoom, capable to deliver 4k on small portions. Such a thing _must_ IMHO be designed with a processing pipeline capable of working only on selected 4k portions. Don't you think?
True, there were no explicit claims it was real time - but also they are not saying that the whole 250MP are processed, honestly it wouldn't make any sense for a video. The feature they were demonstrating makes sense with a previous comment that I read when the 250MP camera was announced, about the possibility of using it as a super electronic zoom, capable to deliver 4k on small portions. Such a thing _must_ IMHO be designed with a processing pipeline capable of working only on selected 4k portions. Don't you think?
stoppingdown.net
Sony a6300, Sony a6000, Sony NEX-6, Sony E 10-18mm F4 OSS, Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS, Sony FE 70-200mm F4 G OSS, Sigma 150-600mm Æ’/5-6.3 DG OS HSM Contemporary, Samyang 12mm Æ’/2, Sigma 30mm F2.8 DN | A, Meyer Gorlitz Trioplan 100mm Æ’/2.8, Samyang 8mm Æ’/3.5 fish-eye II | Zenit Helios 44-2 58mm Æ’/2
Plus some legacy Nikkor lenses.
Sony a6300, Sony a6000, Sony NEX-6, Sony E 10-18mm F4 OSS, Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS, Sony FE 70-200mm F4 G OSS, Sigma 150-600mm Æ’/5-6.3 DG OS HSM Contemporary, Samyang 12mm Æ’/2, Sigma 30mm F2.8 DN | A, Meyer Gorlitz Trioplan 100mm Æ’/2.8, Samyang 8mm Æ’/3.5 fish-eye II | Zenit Helios 44-2 58mm Æ’/2
Plus some legacy Nikkor lenses.