02-13-2013, 06:14 AM
[quote name='borisbg' timestamp='1360704741' post='21916']
Serkan, have you tried the uniwb?
[/quote]
I tried this version:
http://www.markusfelix.de/2012/05/d800-uniwb.html
There are not so many alternatives on the net, but I expect to see more in the future (T.Hogan had also promised to publish another one...)
Honestly, I think using UniWB without a proper exposure setting would be useless, it's not a magic cure. I had the chance to try this WB setting only once when I took pictures of my little daugther. Since I had the skin tone as a tonal reference and I actually knew the colors of the dresses on her, I could achieve to find the correct tint setting during PP easily. But even so, it takes considerable time. And one more remark, I haven't tried it on challenging red biased flower close ups.
So all in all, based on the lighting of the scene I believe these are the keys for what you can get from your raw files: proper WB setting + proper exposure setting + checking the RGB histogramms after the shot...
Serkan
Serkan, have you tried the uniwb?
[/quote]
I tried this version:
http://www.markusfelix.de/2012/05/d800-uniwb.html
There are not so many alternatives on the net, but I expect to see more in the future (T.Hogan had also promised to publish another one...)
Honestly, I think using UniWB without a proper exposure setting would be useless, it's not a magic cure. I had the chance to try this WB setting only once when I took pictures of my little daugther. Since I had the skin tone as a tonal reference and I actually knew the colors of the dresses on her, I could achieve to find the correct tint setting during PP easily. But even so, it takes considerable time. And one more remark, I haven't tried it on challenging red biased flower close ups.
So all in all, based on the lighting of the scene I believe these are the keys for what you can get from your raw files: proper WB setting + proper exposure setting + checking the RGB histogramms after the shot...
Serkan