08-07-2021, 08:01 AM
(This post was last modified: 08-07-2021, 08:01 AM by stoppingdown.)
It's a fair lens, in the end, as you stated in the price/performance evaluation. I see that you confirm that at ƒ/4 the light spots are "almost" circular, but not as circular as the advertising promised. It's probably the single thing that I was disappointed by.
For what concerns distortion and relatead loss of sharpness, it's a lesser problem if a) you use it on a APS-C camera b) you're doing macro (which means you most likely want blurred things around the subject) and c) you use a partial correction profile. With the last point I mean that you can reduce the distortion correction in post-processing if you are not shooting architecture (c-plan with this lens for me).
For what concerns distortion and relatead loss of sharpness, it's a lesser problem if a) you use it on a APS-C camera b) you're doing macro (which means you most likely want blurred things around the subject) and c) you use a partial correction profile. With the last point I mean that you can reduce the distortion correction in post-processing if you are not shooting architecture (c-plan with this lens for me).
stoppingdown.net
Sony a6300, Sony a6000, Sony NEX-6, Sony E 10-18mm F4 OSS, Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS, Sony FE 70-200mm F4 G OSS, Sigma 150-600mm Æ’/5-6.3 DG OS HSM Contemporary, Samyang 12mm Æ’/2, Sigma 30mm F2.8 DN | A, Meyer Gorlitz Trioplan 100mm Æ’/2.8, Samyang 8mm Æ’/3.5 fish-eye II | Zenit Helios 44-2 58mm Æ’/2
Plus some legacy Nikkor lenses.
Sony a6300, Sony a6000, Sony NEX-6, Sony E 10-18mm F4 OSS, Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS, Sony FE 70-200mm F4 G OSS, Sigma 150-600mm Æ’/5-6.3 DG OS HSM Contemporary, Samyang 12mm Æ’/2, Sigma 30mm F2.8 DN | A, Meyer Gorlitz Trioplan 100mm Æ’/2.8, Samyang 8mm Æ’/3.5 fish-eye II | Zenit Helios 44-2 58mm Æ’/2
Plus some legacy Nikkor lenses.