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http://phillipreeve.net/blog/meyer-triop...w-sony-a7/
He has got some points which I agree upon... But the lens has got its merits indeed.
stoppingdown.net
Sony a6300, Sony a6000, Sony NEX-6, Sony E 10-18mm F4 OSS, Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS, Sony FE 70-200mm F4 G OSS, Sigma 150-600mm Æ’/5-6.3 DG OS HSM Contemporary, Samyang 12mm Æ’/2, Sigma 30mm F2.8 DN | A, Meyer Gorlitz Trioplan 100mm Æ’/2.8, Samyang 8mm Æ’/3.5 fish-eye II | Zenit Helios 44-2 58mm Æ’/2
Plus some legacy Nikkor lenses.
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What to expect from a decade old three elements lens ?
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09-17-2016, 07:44 PM
(This post was last modified: 09-17-2016, 07:46 PM by Rover.)
Merits? From the review it's apparent that this lens sucks donkey rhino, to put it mildly.
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Quote:Merits? From the review it's apparent that this lens sucks donkey rhino, to put it mildly.
There are many excellent photos taken with the Trioplan... Just an example:
https://www.flickr.com/photos/luverne/se...255592370/
stoppingdown.net
Sony a6300, Sony a6000, Sony NEX-6, Sony E 10-18mm F4 OSS, Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS, Sony FE 70-200mm F4 G OSS, Sigma 150-600mm Æ’/5-6.3 DG OS HSM Contemporary, Samyang 12mm Æ’/2, Sigma 30mm F2.8 DN | A, Meyer Gorlitz Trioplan 100mm Æ’/2.8, Samyang 8mm Æ’/3.5 fish-eye II | Zenit Helios 44-2 58mm Æ’/2
Plus some legacy Nikkor lenses.
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Quote:There are many excellent photos taken with the Trioplan... Just an example:
https://www.flickr.com/photos/luverne/se...255592370/
So far, so good... but I'm pretty sure that not much of the pictures' goodness comes from the lens itself. It's a combination of the photographer's clever work, light (which is indeed caught very well) and probably postprocessing, and technically these shots are made DESPITE the bad lens, not thanks to it.
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Quote:There are many excellent photos taken with the Trioplan... Just an example:
https://www.flickr.com/photos/luverne/se...255592370/
Many of those are photoshop composites rather than examples of what the lens produces....
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It's sort of funny ... the bokeh is so bad by common standards, that you may consider is to be interesting. ;-)
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Sure, a mirror lens also has its charm... For a grand total of 5 minutes.
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Quote:It's sort of funny ... the bokeh is so bad by common standards, that you may consider is to be interesting. ;-)
That's the point, indeed.
For what concerns Photoshop... I have a number of similar photo taken by me, even though not up to the quality of the Flickr gallery... I never used Photoshop (or else) to produce that look. I've only used it sometimes, as usual, to remove or reduce some distracting elements.
stoppingdown.net
Sony a6300, Sony a6000, Sony NEX-6, Sony E 10-18mm F4 OSS, Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS, Sony FE 70-200mm F4 G OSS, Sigma 150-600mm Æ’/5-6.3 DG OS HSM Contemporary, Samyang 12mm Æ’/2, Sigma 30mm F2.8 DN | A, Meyer Gorlitz Trioplan 100mm Æ’/2.8, Samyang 8mm Æ’/3.5 fish-eye II | Zenit Helios 44-2 58mm Æ’/2
Plus some legacy Nikkor lenses.
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To be fair - as mentioned in the review the bokeh improves when stopping down.
The technical bokeh is never best at full open aperture - it's pretty much always better to stop down a little at least.
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